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            “To have a movement that breathes, you must build a movement with the capacity to grieve.” ~Malkia Devich Cyril͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:12pt;margin-bottom:12pt;" class="">As the devastating atrocities of war continue to rise, this month, in particular, has been a time of deep reflection on how we can compassionately hold space for the collective grief that accompanies these times of much death, loss and grief.&nbsp;</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:12pt;margin-bottom:12pt;" class="">May we build and nourish communities that become our places of refuge to hold each other’s brokenness in safety and authenticity. This was the original meaning of hospice: <em>places of safety along the pilgrim way</em>. Let us return to hospicing humanity in these ways during these times and going forward. </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:12pt;margin-bottom:12pt;" class="">May we apprentice with death itself. Start by volunteering at your local hospice, show up for a dying neighbor, do a ceremony for the dying tree and honor the animal you find on the side of the road as you would your ancestor. </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:12pt;margin-bottom:12pt;" class="">I believe building communities that hold space for grief by intimately knowing death is an act of resistance. ~Kirby </p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><em>Outside now his ashes<br>are blown by the wind</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:16pt;" class=""><em>through the eyes of ten needles<br>he was the poorest man</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:16pt;" class=""><em>he was the richest man<br>he floats with one ear on the horizon</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:16pt;" class=""><em>and listens to the siren song of the flames<br>too late to make excuses</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:16pt;" class=""><em>his tongue tastes the skin of the sea<br>his lips are the waves breaking on the beach.</em></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Listen to <em><strong>After My Father’s Cremation</strong></em> read by author<strong> Pablo Medina</strong> <a href="https://www.newyorker.com/magazine/2023/10/09/after-my-fathers-cremation-pablo-medina-poem" rel="nofollow" style="color:#111 !important;">here</a>.</p>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><strong>Humboldt Forum Museum</strong> in <strong>Berlin</strong> invites 7th graders and up to explore the theme of death through guided tours and workshops in their current exhibit <em><strong>in_finite. Living With Death </strong>(open </em>until November 26, 2023). It poses questions about living with death, features multimedia installations, addresses global disparities in living and dying conditions, explores different religious views of the afterlife and more. The program includes discussions, consultations with experts, film nights, music performances, and a Mexican festival of the dead. Their workshops provide professional support for terminally ill children and their families and advanced training for educators. During their discussion events, you can talk directly to a terminal caregiver, a pathologist, a policewoman, or a funeral speaker. There is even a gallery where visitors can browse through a selection of novels, non-fiction, and children’s books with strong literary voices reflecting on dying, mourning, and death including <strong>Audre Lorde, Chimamanda Ngozi Adichie</strong>, and many others. </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read more about it <a href="https://www.humboldtforum.org/en/programm/laufzeitangebot/exhibition/un_endlich-leben-mit-dem-tod-72296/" rel="nofollow" style="color:#111 !important;">here</a>.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Listen to <strong>Humboldt Forum</strong>’s podcast <em><strong>Death_Matters</strong></em> <a href="https://www.humboldtforum.org/en/programm/digitales-angebot/digital-en/death_matters-95666/" rel="nofollow" style="color:#111 !important;">here.</a> </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Online <em><strong>Living with Death</strong></em> tour <a href="https://guide.humboldtforum.org/en/explore/tours/31?_gl=1%2A15dyqou%2A_ga%2AMTU4MDEyMjk5My4xNTc2MDg0NTE0%2A_ga_BM4F0C75R5%2AMTY5MjI1ODIyMC4yODQuMS4xNjkyMjYyMjMwLjAuMC4w" rel="nofollow" style="color:#111 !important;">here</a>. </p>
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#000;"><em>Ido Weisman filmed onlookers and officials who gathered around the body of a young whale on a Mediterranean beach.</em></p></div>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.656;margin-top:0pt;margin-bottom:0pt;" class=""><strong>The New Yorker</strong> called <em><strong>Requiem for A Whale </strong>a deathly Rorschach test. </em>They also subtitled the article about the short video, <em>what a mammal’s loss teaches us about life and death.&nbsp;</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><strong>Ido Weisman</strong> was a film student when he encountered a young dead whale washed up on the shore at the beach in Israel. Documenting the worst and best of his fellow humans’ response to this epic event, he came to feel <em>the whale is a message about our behavior as human beings…We need to be better and more kind to this place. </em>&nbsp;</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em>I felt as if he was crying,</em> one witness says. <em>I remember standing in front of him and asking him for forgiveness, </em>says another. Viewing the 15-minute piece may evoke many feelings that beckon us to not turn away from them.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.656;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.656;margin-top:0pt;margin-bottom:0pt;" class="">Watch <em><strong>Requiem for A Whale </strong></em>in <strong>The New Yorker </strong><a href="https://www.newyorker.com/culture/the-new-yorker-documentary/a-deathly-rorschach-test-in-requiem-for-a-whale" rel="nofollow" style="color:#111 !important;">here.</a> </p>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em>Your body is an ancestor. Your body is an altar to your ancestors. Every one of your cells holds an ancient and anarchic love story</em>, <strong>Sophie Strand</strong> writes in her essay <em><strong>Your Body is An Ancestor</strong></em>. Sophie is a writer who focuses on the intersection of spirituality, storytelling, and ecology. In this essay she asks us to recognize the profound ancestral connection we all share in our DNA and to honor it in our daily existence. Last month, we featured her mother <strong>Perdita Finn</strong>’s book <em><strong>Take Back the Magic: Conversations with the Unseen World</strong></em>, who also has a very grounded, embodied faith through relationship with the dead and the Earth. </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">As many honor their dead this week around <strong>Day of the Dead</strong>, may we consider how we can incorporate these relationships into our daily lives.&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><br>Read the essay <em><strong>Your Body is An Ancestor</strong></em> <a href="https://braidedway.org/your-body-is-an-ancestor/" rel="nofollow" style="color:#111 !important;">here</a>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">More about <strong>Sophie Strand</strong> <a href="www.sophiestrand.com&nbsp;" rel="nofollow" style="color:#111 !important;">here</a>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Listen to <strong>Sophie Strand</strong> on <em><strong>For The Wild</strong></em> podcast <a href="https://open.spotify.com/episode/3dHthDnT5oaFBNbc7cqBMa?si=82cfbdd3efab42c3" rel="nofollow" style="color:#111 !important;">here</a>. </p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5cf805f1578c6b0001c1c504/aad2ad69-e0d3-4046-ad33-4300ca31f31e/Screenshot+2023-10-29+at+11.19.27%E2%80%AFAM.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.8333333333333334em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">


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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#000;"><em>Self Burial, </em>Keith Arnatt </p></div>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">In the 1960’s, inspired by the B&amp;W photography of <strong>Walker Evans, August Sander </strong>and<strong> Diane Arbus</strong>, artist <strong>Keith Arnatt</strong> began to explore the documentary photography form at a time when it was an unfashionable medium. He explored the perspective where the artist and his behavior were increasingly important as subject matter.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em><strong>Self Burial </strong>(1969) </em>is a series of nine photographs, depicting Arnatt seemingly disappearing into a hole dug on the ground. This ritual act of burial confronted German TV viewers for 9 days with one frame broadcast each day for a duration of two seconds without explanation!</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Arnatt had no formal gallery representation during his life. His work is now collected by museums - <strong>Tate</strong> in London, <strong>LACMA</strong> in Los Angeles and others.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read more about <strong>Keith Arnatt</strong> <a href="https://en.wikipedia.org/wiki/Keith_Arnatt" rel="nofollow" style="color:#111 !important;">here.</a></p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5cf805f1578c6b0001c1c504/85a17823-8549-45e0-8ff5-30dcfd226149/Screenshot+2023-10-29+at+11.21.05%E2%80%AFAM.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.8333333333333334em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">


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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.656;margin-top:0pt;margin-bottom:0pt;" class="">In this<strong> NYT</strong> piece, <em><strong>America’s Black Cemeteries and Three Women Trying to Save Them</strong></em>, three dedicated Black women, outraged by the neglect of cemeteries in Washington, Georgia, and Texas, are working tirelessly to restore these historically significant sites. These cemeteries, crucial for preserving Black history, face neglect, development threats, and record loss. They serve as both caretakers and advocates for the protection of these sites, which, despite National Trust initiatives and grant opportunities, struggle to secure necessary funding and government support. With a deep commitment to honoring their ancestors and preserving Black heritage, these women persist in their efforts to safeguard these invaluable historical legacies.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><br>Read the <strong>NYT</strong> piece <a href="https://www.nytimes.com/2023/09/27/us/black-cemeteries.html?emc=edit_wkdr_20230930&amp;nl=the-weekender&amp;te=1" rel="nofollow" style="color:#111 !important;">here</a>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">Support the efforts via <a href="https://www.mtzion-fubs.org/support-us" rel="nofollow" style="color:#111 !important;"><strong>Black Georgetown Foundation</strong></a>, <a href="https://savingplaces.org/african-american-cultural-heritage" rel="nofollow" style="color:#111 !important;"><strong>African American Cultural Heritage Action Fund</strong></a> and <a href="https://hamiltonhood.org/donate/" rel="nofollow" style="color:#111 !important;"><strong>Hamilton Hood Foundation</strong></a>.</p>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">In the US, November is <strong>National Family Caregivers Month</strong>, so in honor, we're spotlighting<strong> NPR</strong>'s inspiring piece on how Bogotá's <strong>Care Blocks</strong> program is transforming the lives of unpaid family caregivers, mainly women, by offering free services like education and fitness classes. This groundbreaking initiative has reached over 400,000 caregivers, raised awareness of the value of their work, and challenged gender norms within families. By promoting the importance of caregiving and encouraging shared responsibilities, Care Blocks are reshaping societal perceptions and creating opportunities for women to pursue employment. </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><br>Read or listen to <em><strong>How Bogotá cares for its family caregivers: From dance classes to job training </strong></em><a href="https://www.npr.org/sections/goatsandsoda/2023/10/16/1205218707/how-bogota-cares-for-its-family-caregivers-from-dance-classes-to-job-training?orgid=1792&amp;utm_att1=&amp;utm_campaign=news&amp;utm_content=20231018&amp;utm_id=66684127&amp;utm_medium=email&amp;utm_source=npr_newsletter&amp;utm_term=9026031" rel="nofollow" style="color:#111 !important;">here</a>.</p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5cf805f1578c6b0001c1c504/e7fc5c6b-b7ca-4ff2-8a2e-01ad964aafd6/Screenshot+2023-10-29+at+11.13.56%E2%80%AFAM.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.8333333333333334em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">


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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Artists can take us on cathartic and transformative journeys as they move through the circumstances of their own lives. <strong>Musician Nick Cave</strong> has been boldly sharing his grief with his audience after the deaths of two of his sons in 2015 and 2022 ~ through his music, his art, the <strong>Red Hand Files</strong>, as well as in his book <em><strong>Faith, Hope &amp; Carnage</strong></em>, which just came out in paperback. In two recent interviews, he spoke with candid wisdom about the ever-evolving relationship with his grief.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em>My feelings around the death of my son, around which the book relentlessly circles, have become more reflective, less visceral, less painful…In my experience, the Kübler-Ross model of the (5) stages of grief is full of shit. Grief portioned into orderly stages does not make sense, on any level.</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Watch<strong> Nick Cave on CBS News</strong> <a href="https://www.cbsnews.com/video/nick-cave-speaks-candidly-about-how-his-art-helped-him-through-grief/" rel="nofollow" style="color:#111 !important;">here</a>.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">and in <strong>Rolling Stone</strong> <a href="https://www.rollingstone.com/music/music-features/nick-cave-faith-hope-carnage-interview-1234827834/" rel="nofollow" style="color:#111 !important;">here</a>.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">buy <em><strong>Faith, Hope &amp; Carnage</strong></em> in paperback <a href="https://www.barnesandnoble.com/w/faith-hope-and-carnage-nick-cave/1140801586?ean=9780374607371" rel="nofollow" style="color:#111 !important;">here</a>.                                                                      </p>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;">From July 2021 a brilliant <em><strong>Gravity</strong></em> podcast with <strong>Lucy Kalanithi.</strong>…<br><em><strong>On Mortality and Meaning with Paul Kalanithi</strong></em> offering references for survival in these most difficult of times including <strong>Viktor Frankel</strong>’s seminal <a href="https://bookshop.org/p/books/man-s-search-for-meaning-viktor-e-frankl/8996943?ean=9780807014271" rel="nofollow" style="color:#111 !important;"><strong>book</strong> </a><em><strong>Man’s Search for Meaning </strong></em>and Lucy’s <a href="https://www.ted.com/talks/lucy_kalanithi_what_makes_life_worth_living_in_the_face_of_death?language=en" rel="nofollow" style="color:#111 !important;"><strong>Ted Talk</strong></a> <em><strong>What makes life worth living in the face of death</strong></em>.</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;">Listen to the podcast <em><strong>Gravity</strong></em> <a href="https://open.spotify.com/episode/02WbhrN3kPpAIpw6lzEjd4?nd=1&amp;si=7b18ba7fbef84415" rel="nofollow" style="color:#111 !important;">here</a>. </p></div>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#000;">In this visionary book <em><strong>The Spirit of Harriet Tubman</strong></em>, meditation and dharma teacher <strong>Spring Washam</strong> calls on the living spirit of <strong>Harriet Tubman</strong>, offering profound insights and inspiration. By combining Harriet's message with explorations of her legacy, the book empowers readers to cultivate resilience and become agents of love and truth, and to also connect with ancestors to collaborate on the creation of a more peaceful and just world.</p><p style="font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#000;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Order the book <a href="https://www.mahoganybooks.com/9781401963224" rel="nofollow" style="color:#111 !important;">here</a>.</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#000;"><br>Listen to her on <strong>Sounds True</strong> <a href="https://resources.soundstrue.com/podcast/spring-washam-partnering-with-ancestors-for-support-and-liberation/" rel="nofollow" style="color:#111 !important;">here.</a> </p></div>
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