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            The great object of life is Sensation—to feel that we exist—even though in pain~ Lord Byron͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">When we do get to contemplating our existence, sentience is something I believe we might want to ponder more. Defined as the capacity to experience feelings and sensations, sentience also overlaps into emotion, sapience (the ability to think and acquire wisdom), and consciousness. It seems that sentience might be a door to understanding a deeply overlooked capacity all beings possess to experience the world in rich vibrant color, instead of black &amp; white. Consider that the body is a vessel, capable of acquiring knowledge, and even consciousness, through feelings and perceptions of the senses. It can feed us in a way that we are mostly disconnected from, as we have been taught that intelligence only exists within the brain. What would it mean to us humans if there was more than one type of intelligence we could access, and that we shared with and connected us to, all other sentient beings? I believe these secrets when revealed might have untold gifts to bestow, allowing us to live more fully within these mortal bodies, connected more authentically to the rest of the animal kingdom, and perhaps even there to aid and comfort us when it’s our time to shed them ~ Karen</p>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">The tender film EO, follows the journey of a donkey, and through his eyes, we experience his love, loss and life transitions. We are brought in closely to his basic needs, his stages of life. “<em>Over and over, Skolimowski reminds you that EO is an animal, not a prop or a plushie, a comic contrivance or a child substitute. He is not human, and yet he is nevertheless a being with a sense of the world and he deserves a place in it. He also has, as Skolimowski repeatedly suggests, desires — EO yearns for Kasandra, green pastures, soft caresses, freedom</em>.” (<a href="https://www.nytimes.com/2023/03/14/science/donkeys-genetics-archaeology.html?action=click&amp;module=Well&amp;pgtype=Homepage&amp;section=Science" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">NY Times</span></strong></a>)</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><br>Watch the trailer<strong> </strong><a href="https://youtu.be/rrBeSQbdXmw" rel="nofollow" style="color:#111 !important;">here</a><strong>.&nbsp;</strong>Read the <strong>NY Times Review</strong> <a href="https://www.nytimes.com/2023/03/14/science/donkeys-genetics-archaeology.html?action=click&amp;module=Well&amp;pgtype=Homepage&amp;section=Science" rel="nofollow" style="color:#111 !important;">here</a><strong>.</strong></p>
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#000;"><em>In the late sixties, Laraaji became interested in mysticism, and&nbsp;described himself as a conduit, a channel, and a medium. Photograph by Andres Serrano for The New Yorker</em></p></div>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">The musician and sound artist <strong>Laraaji</strong> turns 80 this year. His transcendent musical output spans six decades, most famously working with producer Brian Eno. He has recorded more than 50 albums, with his most recent, <em><strong>Segue to Infinity</strong></em>, just released in a boxed set. At times Laraaji’s music was marginalized during his career for falling into the New Age category, an ambiguous label stuck somewhere between intellectual avant-garde and elevator music. His instrument of choice is the autoharp, and he incorporated techniques popularized for piano by the experimental composer John Cage. Today he is basking in a resurgence of interest in his body of work, which can at times employ sharp or abrupt noises to <em><strong>shock the consciousness</strong></em>, an idea he borrowed from Tibetan sound rituals. <em>It is as though Laraaji is trying to teach us that, with help and focus, it is possible to exhale and unclench…</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read the <a href="https://www.newyorker.com/magazine/2023/03/06/the-transcendence-of-laraaji" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">New Yorker</span></strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;"> </span></a>article.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">&nbsp;</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Listen to <em><strong>Seque to Infinity</strong></em> on <strong>Spotify</strong> <a href="https://open.spotify.com/album/71NIoAAc7ClIsfIYBmPRQA?si=aIOZG4FYScit77DmPlTzEg" rel="nofollow" style="color:#111 !important;">here</a><strong>. </strong>Also check out Laraaji’s <em><strong>laughter meditation</strong></em> podcast every Thursday morning on <strong>Dublab</strong> <a href="https://www.dublab.com/" rel="nofollow" style="color:#111 !important;">here</a>.</p>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">In his new book, <em><strong>Sentience: The Invention of Consciousness</strong></em>, author <strong>Nicholas Humphrey</strong>, who is widely known for his work on the evolution of consciousness, asks us to explore the morally crucial question of existence and what is consciousness? Just as important are the other questions he posits — Is it only humans who have conscious sensations that are essential to our idea of ourselves, or do animals possess this trait also? And what about future machines - will they possess this quality inevitably? This is a great read if you are interested in the quest to uncover the evolutionary history of consciousness and where it might be going, with some radical conclusions.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em>The more mysterious and unworldly the qualities of phenomenal consciousness—the felt sensations of properties such as color, smell, and sound—the more significant the self. And the more significant the self, the greater the value that people will have placed on their own—and others’—lives.</em></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;"><br>Read the <strong>New Yorker</strong> article <a href="https://www.newyorker.com/news/annals-of-inquiry/nicholas-humphreys-beautiful-theory-of-mind?bxid=5ec5a2dbd5f5810b6972fcd6&amp;cndid=61161199&amp;esrc=Auto_Subs&amp;hasha=da6079aa61233c020bb088192861858b&amp;hashb=80c2d39b9b3e7ce3892260766e6122d61853f8b5&amp;hashc=393b6bd91f1c7ad2327e41cee10ecd118443c31dbb609ccd1f760a3b66907a4f&amp;utm_brand=tny&amp;utm_campaign=aud-dev&amp;utm_mailing=TNY_Daily_031523&amp;utm_medium=email&amp;utm_source=nl&amp;utm_term=tny_daily_digest" rel="nofollow" style="color:#111 !important;">here</a>. Buy <em><strong>Sentience: The Invention of Consciousness </strong></em><a href="https://global.oup.com/academic/product/sentience-9780198858539?lang=3n&amp;cc=ma" rel="nofollow" style="color:#111 !important;"><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">here</span></a>.</p>
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              <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#000;"><em>Lauren Miller Rogen and Seth Rogen, HFC</em></p></div>
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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em>“There are only four kinds of people in this world. Those who have been caregivers. Those who are currently caregivers. Those who will be caregivers, and those who will need a caregiver.”</em><strong>&nbsp;</strong></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><strong>- Rosalynn Carter,&nbsp; </strong>Former First Lady</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><strong>Seth Rogen</strong> and<strong> Lauren Miller Rogen</strong> share the motivation behind their caregiving advocacy non-profit <a href="https://www.wearehfc.org" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">‘Hilarity For Charity’</span></strong></a> through personal experiences of lack of infrastructure for care of aging parents in their <strong>“</strong><a href="https://www.youtube.com/live/ulI8jPyHH2Q?feature=share" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Across The Aisle</span></strong></a>” interview with <em><a href="https://www.washingtonpost.com/washington-post-live/2022/12/08/seth-rogen-lauren-miller-rogen-their-caregiving-advocacy-experiences/?fbclid=PAAaaeug129kOUJYzrr_gjyzrEcvC1PEgC_pEktmGv6shcTpML7wrIGk9QJxc" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Washington Post</span></strong></a></em>. They point out that <em>care is a societal responsibility, not a personal one<strong> </strong></em>and in other developed nations, there are opportunities for individuals to get care that is subsidized or funded by government agencies, but we don’t have that in the U.S. They created a program where folks in need can apply for grants and they will pay to have in-home care in their homes. They also point out that because there is so little infrastructure, there is no standard for the level of training provided to someone that wants to get into the caregiving field which could be so prosperous. There’s a lot of work to be done in really investing in that care workforce.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Watch their interview on <strong>Across The Aisle </strong><a href="https://www.youtube.com/live/ulI8jPyHH2Q?feature=share" rel="nofollow" style="color:#111 !important;">here</a><strong>. </strong>Read the article on<strong> The Washington Post</strong> <a href="https://www.washingtonpost.com/washington-post-live/2022/12/08/seth-rogen-lauren-miller-rogen-their-caregiving-advocacy-experiences/?fbclid=PAAaaeug129kOUJYzrr_gjyzrEcvC1PEgC_pEktmGv6shcTpML7wrIGk9QJxc" rel="nofollow" style="color:#111 !important;">here</a>. Learn more about <strong>Hilarity For Charity</strong> <a href="https://www.wearehfc.org/about" rel="nofollow" style="color:#111 !important;">here</a><strong>. </strong>Directly make a difference and tell Congress to expand access to in-home aging via <strong>Caring Across Generations</strong> <a href="https://go.caringacross.org/a/tell-congress-expand-access-home-aging-and-disability-services" rel="nofollow" style="color:#111 !important;">here</a><strong>.</strong></p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5cf805f1578c6b0001c1c504/db6b146b-b003-42db-9884-144efec18f66/image12.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.8333333333333334em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">


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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">When the pianist Adam Tendler received an inheritance, a manila envelope stuffed with cash, he decided to use it in support of what he loves most – Music. Weeks after his father’s death, and being handed that envelope, Tendler began to commission new solo works by composers including <strong>Laurie Anderson, inti figgis-vizueta, Missy Mazzoli and Nico Muhly</strong>, culminating in a premiere of 16 new compositions. </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em>From the start, the goal of <strong>Inheritances</strong> had been to provide a vessel through which I could connect to my elusive father, process my grief and reconcile with my past. But I also hoped that writing these pieces would provide a similar vessel for the composers, and ultimately that this shared experience would extend to our listeners.&nbsp;</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em><strong>Inheritances</strong></em> <em>became a kind of sacred space, a gathering, a ritual.&nbsp;</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read (or better yet listen) to the <strong>NY Times</strong> article <a href="https://www.nytimes.com/2023/03/12/arts/music/adam-tendler-inheritances-review.html" rel="nofollow" style="color:#111 !important;">here</a>. Watch the March 2023 performance of <em><strong>Inheritances</strong></em> <a href="https://www.92ny.org/event/adam-tendl" rel="nofollow" style="color:#111 !important;"><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">here</span></a>.</p>
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  <img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5cf805f1578c6b0001c1c504/db0f1eea-4be4-48b8-bcce-4408c2caf53d/image26.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.8333333333333334em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">


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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em><strong>In the next few decades, more people will die than ever before.</strong></em> Worldwide, the number of people over 65 years of age is projected to reach 1.6 Billion by 2050. Consciousness is shifting around the weight of climate change and more sustainable models of body disposition are being created. According to <a href="https://www.economist.com/united-states/2023/03/09/quite-a-few-young-americans-plan-to-end-their-days-as-compost" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Economist</span></strong></a>, young people especially are already thinking about becoming compost as it appeals to the contemporary, secular vision of the afterlife resting on the belief of returning to the Earth. These shifts are looked at in-depth in this thoughtful piece in <a href="https://rubinmuseum.org/spiral/green-remains?mc_cid=b5aeb0dbf0&amp;mc_eid=cde9f60103" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Spiral Magazine</span></strong></a>.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">In 2015, for the first time in the US, cremation was more common than burials because it is less expensive. Since cremation relies on natural gas to burn the body and emits pollutants into the atmosphere, people like Green-wood Cemetery in Brooklyn and Resomation in Glasgow are coming up with solutions. Green-wood through electric cremation (read more in <a href="https://www.newyorker.com/news/our-local-correspondents/greening-the-burial-of-the-dead-in-brooklyn" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">New Yorker</span></strong></a>) and Resomation through using a water and alkaline solution to dissolve the body into ash-like residue. Even religious people are considering backing greener alternatives such as The Church of England and Archbishop Desmond Tutu requested aquamation for his remains over the past year.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read <em><strong>Green Remains </strong></em>in <strong>Spiral Magazine</strong> <a href="https://rubinmuseum.org/spiral/green-remains?mc_cid=b5aeb0dbf0&amp;mc_eid=cde9f60103" rel="nofollow" style="color:#111 !important;">here</a><em>.&nbsp;</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read <em><strong>Quite a few young Americans plan to end their days as compost</strong> in </em><strong>The Economist </strong><a href="https://www.economist.com/united-states/2023/03/09/quite-a-few-young-americans-plan-to-end-their-days-as-compost" rel="nofollow" style="color:#111 !important;">here</a><em>.</em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read<em> <strong>Greening the Burial of the Dead, in Brooklyn</strong> </em>in the<em> </em><strong>New Yorker</strong><em> </em><a href="https://www.newyorker.com/news/our-local-correspondents/greening-the-burial-of-the-dead-in-brooklyn" rel="nofollow" style="color:#111 !important;">here</a><em>. </em></p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">Read <em><strong>Church of England to consider greener alternatives to burial</strong> </em>in <strong>The Guardian</strong><em> </em><a href="https://www.theguardian.com/world/2023/feb/06/church-of-england-to-consider-greener-alternatives-to-burial" rel="nofollow" style="color:#111 !important;">here</a><em>.</em></p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;">The use of <strong>psilocybin for end of life anxiety and existential distress</strong> has gained an enormous amount of traction in the past decade due to the remarkable results from clinical trials and patient guided therapy. Check out these two insightful articles ~ <em><a href="https://microdose.buzz/news/death-and-psychedelics/" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Death, Hope and the Psychedelic Experience</span></strong></a></em>, from a two-time cancer survivor pondering his end, and the choices available to him, and <em><a href="https://tricycle.org/article/psilocybin-healthcare-study/" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">A Reciprocity of Presence</span></strong></a></em>, about a palliative care doctor’s revelation regarding the ultimate power of <em>being</em> <em>present</em> and <em>dropping into the body</em>. There are references and personal perspectives in both of these pieces to offer solace and direction.</p>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;"><strong>NPR TED Radio Hour</strong>'s special series <strong>Mind, Body, Spirit</strong><em><strong> </strong></em>features tech entrepreneur <strong>Artur Sychov </strong>of <a href="https://somniumspace.com/" target="_blank" rel="nofollow noopener noreferrer" style="color:#111 !important;">Somnium Space</a>, the creator of <em>Live Forever Mod</em>e.  He is asked, <em>can AI replicate the person's soul? Is AI sentient? </em>The answer, he says, is unknown. What do you think?</p><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;">Listen to <strong>Artur Sychov's</strong> interview <a href="https://www.npr.org/transcripts/1167136624" target="_blank" rel="nofollow noopener noreferrer" style="color:#111 !important;">here</a> and the entire<strong> "Mind, Body, Spirit"</strong> segment featuring two other guests <a href="https://www.npr.org/2023/03/30/1167016783/rekindling-the-human-spirit-mind-body-spirit-part-3" target="_blank" rel="nofollow noopener noreferrer" style="color:#111 !important;">here</a>.</p></div>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;">In honor of our celestial home and Earth Day this month, check out <em><a href="https://palebluepod.space/" rel="nofollow" style="color:#111 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Pale Blue Pod</span></strong></a></em>&nbsp;</p><p style="font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class="">with hosts <strong>Astrophysicist Dr. Moiya McTier </strong>and <strong>comedian Corinne Caputo</strong>. It’s an <em>astronomy&nbsp;</em></p><p style="font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:Palatino, Palladio, Baskerville, 'Nimbus Roman No9 L', Garamond, 'Century Schoolbook', serif;color:#313131;line-height:1.38;margin-top:0pt;margin-bottom:0pt;" class=""><em>podcast for people who are overwhelmed by the universe but want to be its friend :)</em></p></div>
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